The Editors of The New Criterion are pleased to announce that Midge Goldberg is the winner of the twenty-sixth New Criterion ...
Seldom can any author have taken Horace’s dictum that the artist should delight and instruct as seriously as did Bernard Shaw. The notion of art for art’s sake, the guiding principle for so many ...
On the valorization of New York Times Co. v. Sullivan (1964). Insight into the case is provided by Carson Holloway, a professor of political science at the University of Nebraska, in his new book No ...
Editors’ note: The following is an edited version of remarks delivered at The New Criterion’s gala on April 22, 2026, honoring Harvey Mansfield with the thirteenth Edmund Burke Award for Service to ...
Publishing in the Western world is an enterprise whose success depends on freedom of expression enjoyed in Western countries. Reputable publishers know this, and do not lightly accept restraints on ...
The other program, the subject of this review, appealed to more advanced balletomanes—works by Gianna Reisen, Ulysses Dove, ...
Jay Nordlinger on a performance of “Carmina Burana” at the Teatro Massimo.
T he elder apostles of George Balanchine often gripe that his ballets, especially when staged by smaller companies, fall ...
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